Acid Virga by Gabriel Kruis
Author:Gabriel Kruis
Language: eng
Format: epub
Publisher: powerHouse Books
Published: 2020-10-15T00:00:00+00:00
REGRESSION
âCold winds blowing
And life looks like some malignant disease,
Viewed from the heights of reason
Which I donât believe in,â
Bernadette Mayer
âYou murmur your magic (what help is the past?):â
Lorine Niedecker
LIKE LIFE
After Visiting âLike Life: Sculpture, Color,
& the Body (1300 - Now)â
On the other side of the curtains
that divide up the rooms, indistinct,
if only briefly, the silhouettes
of statues & patrons seem to blendâ
as if both were made of marble,
as I mustâve seemed to them.
Like the painting of the saint
praying to a statue of a saint:
reverential, silent, they face
one another, and the material
so slight between us, a breath
or the barest gesture, disturbs
the air. They seem almost stalled
here, never having known death,
yet lingering too close to lifeâ
as if there were a sympathetic
magic in the materials used.
A slight blush, an animating
glamour in the slush wax flesh
of the anonymous, anatomical
venus; in the gold-leaf & velvet
queen. A song as much in Salomeâs
demoniac eyes of shell & amber,
as in the écorché of the day-
laborerâs life-size red frame
of papier-mâché & painted plaster.
And how often through wealth
& ease, & how often through needâ
or whatever was ready-to-handâ
seemed legible not in craft or lack
thereof, but in this more elemental
grammar. I must have been still
under that same spell as I paid
for The Autobiography of Alice
B. Toklas at the outdoor bookstore
on the corner of the park after close.
I mustâve needed to see your face,
because there you were, two years
gone this September, standing a
few tables off, in the figure
of a stranger,
REGRESSION
fall
for Carolyn (1990-2016)
âRelinquishment,â
At least thatâs what they say,
When the hagglingâs done, the act of opening
the hand, But if it ever truly ends,
in between are phases the experts
will never recognize, Interleaved with disbelief
and fury, delirium, glossolalia,
hysterical nostalgia, etc.
Or the stage in which one eats too much
Xanax, gummy bears, and caviar
from the bodega around the corner, âtakes a napâ
facedown, listening to the neighborâs
old soul records
filtered through the floorboards,
As for me, I keep attempting
rational sentiments despite myself, Cold comfort,
an architecture of tics in rhetoric,
Like, âItâs no good hoping for accuracy
from the flowcharts that mark griefâs progression,â
âThe swamp after all is not the map,â
And, âAnd yet, one longs for an argument
nonetheless, The âIn whichâ
in which the plot is laid bare,
as in Paradise Lost or other
arcane texts,â
What comes next,
Savoring almost nothing
before grief resurges, what remains is the tension
of the chiastic structure
and its spillage, As if it were an accident,
when describing the origins of good and evil,
that a hero was made of the fallen one,
How âelegiacâ rolls off the tongue
with an unacknowledged hush at the beauty
of othersâ sorrow, The Devil in the details,
or the accumulation of velleities
so many I know and love
would ascribe to Godâs catastrophic hand,
Over coffee in L.A.,
having dreamed away the night beside each other
as chaste as brother and sister,
you said you felt the opposite when I tried to recall
the taxonomy of mediocre poets
possessed by evil spirits, How the Devil guides
the worst poetsâ pens, Angels,
the best, etc., But I never had the chance to ask you
what you thought the difference was,
Like me, you were appalled by angels
you didnât believe in, yet still knew what it meant
to be brushed by the
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